PUBLICATIONS
Books:
German Cinema: Texts in Context (Detroit: Wayne State University Press, 1995) xvii + 322 pages.
Heiner Müller, Forschungsberichte zur DDR-Literatur 2 (Amsterdam: Rodopi, 1980), 127 pages.
Literature of the Working World: A Study of the Industrial Novel in East Germany (Bern/Frankfurt: H. Lang, 1976), 118 pages.
Edited Volumes:
- 14
- Perspectives on Peter Weiss. Proceedings of the 30th Wisconsin Workshop. Co-edited with Jost Hermand (forthcoming Peter Lang, 1999)
- 13
- Brecht on Film and Radio. A Critical Edition. Translated and with introduction and line commentaries (forthcoming London: Methuen, 1999), 270 pages + plates
- 12
- Brecht 100 <=> 2000. Proceedings of the 10th Symposium of the International Brecht Society. Brecht Yearbook 24. Co-edited with John Rouse and Florian Vassen (Waterloo, CA: International Brecht Society, 1999), 402 pages.
- 11
- Bertolt Brecht, Collected Short Stories Ed. and trans. by John Willett and Ralph Manheim. With introduction and notes by Marc Silberman and Shuhsi Kao (New York: Arcade Publishers, 1998), 242 pages
- 10
- Contentious Memories: Looking Back at the GDR. Proceedings of the 28th Wisconsin Workshop. Co-edited with Jost Hermand (New York: Peter Lang, 1998), 251 pages
- 9
- drive b: Brecht 100 (Berlin: Theater der Zeit and International Brecht Society, 1997), 177 large format pages
- 8
- What Remains? East German Culture and the Postwar Public. AICGS Research Report No. 5 (Washington, D.C.: American Institute for Contemporary German Studies, 1997), 100 pages
- 7
- Brecht Then and Now / Brecht damals und heute, The Brecht Yearbook 20 With guest editor John Willett and co-managing editor Maarten van Dijk (The International Brecht Society, 1995), 435 pages
- 6
- Focus: Margarete Steffin, The Brecht Yearbook 19 (The International Brecht Society, 1994), 388 pages.
- 5
- The Other Brecht II, The Brecht Yearbook 18 (The International Brecht Society, 1993), 243 pages.
- 4
- The Other Brecht I, The Brecht Yearbook 17 With guest editors Hans-Thies Lehmann and Renate Voris (The International Brecht Society, 1992), 283 pages.
- 3
- Revolution 1989: Whither Brecht? The Brecht Yearbook 16 (The International Brecht Society, 1991), 174 pages.
- 2
- Essays on Brecht, The Brecht Yearbook 15 (The International Brecht Society, 1990), 243 pages.
- 1
- Interpretationen zum Roman in der DDR Edited with introduction and bibliography. (Stuttgart: Klett Verlag, 1980), 174 pages.
Edited Special Issues:
Bertolt Brecht Centenary: Brecht Today, co-edited with Jost Hermand
Monatshefte Vol. 90, No. 3 (Fall 1998)
German Studies and the GDR
Monatshefte Vol. 85, No. 3 (Fall 1993)
Teaching German Media
Monatshefte Vol. 82, No. 3 (Fall 1990)
Articles and book chapters:
- 43a
- "Brecht-Ehrungen: Eine Übung zur Vorschau auf einen Rückblick." forthcoming in Thomas Jung, ed., Osloer Beiträge zur Germanistik 21 (Frankfurt/Main: Peter Lang, 1999).
- 43b
- Reprint in 100 Jahre Brecht. Ringvorlesung aus Anlass des 100. Geburtstages Bertolt Brechts (Berlin: Humboldt-Universität, 1999), 180-200.
- 42
- "Scattered Questions after the End of the GDR," in "Gegenwartsbewältigung: The GDR after the Wende," Michigan Germanic Studies 21.1-2 (Spring/Fall 1995; published Summer 1998), 178-183.
- 41
- "Whose Story Is This? Rewriting the Literary History of the GDR," in Hermand and Silberman, eds., Contentious Memories: Looking Back at the GDR (New York: Peter Lang, 1998), 25-57.
- 40
- "Problematizing the "Socialist Public Sphere": Concepts and Consequences," in Marc Silberman, ed., What Remains? East German Culture and the Postwar Public. AICGS Humanities Program Report Vol. 5 (Washington, D.C.: American Institute for Contemporary German Studies, 1997), 1-37.
- 39
- "Sind wir die Nachgeborenen? Wie und wozu feiert man 100 Jahre Brecht?" in Eeva Mustonen, ed., Auf den Spuren Brechts im Finnischen Exil (Helsinki: Teatterin tiedotuskeskus, 1997) 133-39.
- 38
- "Brecht and Film," in Siegfried Mews, ed., A Bertolt Brecht Reference Companion (Westport, CT: Greenwood Publishing, 1997), 197-219.
- 37
- "The Actor's Medium: On Stage and in Film," Modern Drama Vol. 39, Nr. 4 (Winter 1996): 558-65.
- 36
- "What is German in the German Cinema," Film History Vol. 8, Nr. 3 (Fall 1996): 297-315.
- 35
- "`Family Troubles': A Generational View of Heiner Müller's Role in the GDR," in Gerhard Fischer, ed., Heiner Müller: ConTEXTS and HISTORY (Tübingen: Stauffenburg, 1995), 55-69.
- 34
- "Post-Wall Documentaries: New Images from a New Germany?" Cinema Journal, Vol. 33, No. 2 (Winter 1994): 22-41.
- 33
- "Was bedeutet Übersetzen? Überlegungen zu Texten von Heiner Müller," in Armin Paul Frank et al., eds., Übersetzen, Verstehen, Brücken bauen: Geisteswissenschaftliches und literarisches Übersetzen im internationalen Kulturaustausch (Berlin: Erich Schmidt, 1993), 214-221.
- 32
- "German Studies and the GDR: Too Near, Too Far," Monatshefte Vol. 85, Nr. 3 (Fall 1993): 265-274.
- 31
- "Speaking with Silence. The GDR Author and the New Germany," German Politics and Society 29 (Summer 1993), 83-103.
- 30
- "The Fascist Discourse in the Cinema: A Reading of Eduard von Borsody's Wunschkonzert (1940)," in Ingeborg Hoesterey and Ulrich Weisstein, eds., Intertextuality: German Literature and Visual Art from the Renaissance to the Twentieth Century (Columbia, SC: Camden, 1993), 188-200.
- 29
- "Wolfgang Staudte: Rotation (Germany 1949)," in Joachim Schmitt-Sasse, ed., Filmästhetik gegen Faschismus. Faschismus und Antifaschismus im Film (Münster: Maks, 1993), 137-152.
- 28
- "A Postmodernized Brecht?" Theatre Journal Vol. 45, No. 1 (March 1993), 1-19.
- 27
- "Imagining History: Weimar Images of the French Revolution," in Bruce Murray and Christopher Wickham, eds., Framing the Past: The Historiography of German Cinema and Television (Carbondale: Southern Illinois University Press, 1992), 99-120.
- 26
- "Shooting Wars. German Cinema and the Two World Wars," in Reinhold Grimm and Jost Hermand, eds., 1914/1939: German Reflections of the Two World Wars (Madison: University of Wisconsin Press, 1992), 116-136.
- 25
- "Whose Revolution Was It? Stalinism and the Stasi in the Former GDR," GDR Bulletin Vol. 18, Nr. 1 (Spring 1992), 21-24.
- 24
- "Zarah Leander in the Colonies," in Knut Hickethier and Siegfried Zielinski, eds., Medien/Kultur. Schnittstellen zwischen Medienwissenschaft, Medienpraxis und gesellschaftlicher Kommunikation (Berlin: Volker Spiess, 1991), 247-253.
- 23a
- "Narrating Gender in the GDR: Hermann Zschoche's Bürgschaft für ein Jahr (1981)," The Germanic Review Vol. 66, No. 1 (Winter 1991), 25-33.
- 23b
- Reprint in Terri Ginsberg and Kirsten Thompson, eds., Perspectives on the German Cinema (New York: G.K. Hall, 1996).
- 22
- "Teaching German Media: An Introduction," Monatshefte Vol. 82, No. 3 (Fall 1990), 235-245 (and Appendices, 319-322)
- 21
- "Late Pabst - The Last Ten Days (1955)," in Eric Rentschler, ed., The Films of G.W. Pabst (New Brunswick/London: Rutgers University Press, 1990), 208-216, 268-270.
- 20
- "Remembering History: The Filmmaker Konrad Wolf," New German Critique 49 (Winter 1990), 163-191.
- 19
- "Media Studies in Research and Teaching," in Friedrich Knilli and Rainer Matzker, eds., Germanistische Medienwissenschaft: Die Rolle der Medien in der Auslandsgermanistik, Reihe C des Jahrbuchs für internationale Germanistik (Bern/Frankfurt/New York/Paris: Lang, 1989), 66-81.
- 18
- "Heiner Müller's Der Lohndrücker, 1988," Theater (Yale) Vol. 19, No. 3 (Summer/Fall 1988): 22-34.
- 17a
- "The Politics of Representation: Brecht and the Media," Theatre Journal Vol. 39, No. 4 (December 1987), 448-460.
- 17b
- Reprinted as "Die Politik der Darstellung. Brecht und die Medien," in Inge Gellert and Barbara Wallburg, eds., Brecht 90. Schwierigkeiten mit der Kommunikation? Kulturtheoretische Aspekte der Brechtschen Medienprogrammatik (Berlin: Peter Lang Verlag, 1991), 90-104.
- 16
- "Writing What - For Whom? Vergangenheitsbewältigung in GDR Literature," German Studies Review Vol. 10, No. 3 (October 1987), 527-538.
- 15
- "Erinnern - Erzählen - Filmen: Die Filme von Konrad Wolf," Medium Film - das Ende der Literatur, Akten des VII. Internationalen Germanisten Kongresses, Bd. 10 (Tübingen: Niemeyer, 1986), 339-352.
- 14
- "Semper fidelis: Staudte's The Subject," in Eric Rentschler, ed., German Film and Literature: Adaptations and Transformations (New York/London: Methuen, 1986), 146-160.
- 13
- "Schreiben als öffentliche Angelegenheit: Lesestrategien des Romans Hundejahre," in Manfred Durzak, ed., Zu Günter Grass: Geschichte auf dem poetischen Prüfstand (Stuttgart: Klett, 1985), 80-95.
- 12
- "The Ideology of Form: The Film as Narrative," in Sigrid Bauschinger et al., eds., Film and Literature: Literarische Texte und der neue deutsche Film (Bern: Francke Verlag, 1984), 197-209.
- 11
- "How Women See Themselves," in Klaus Phillips, ed., New German Filmmakers (New York: F. Ungar, 1984), 320-334.
- 10a
- "The Ideology of Re-Presenting the Classics: Filming Der zerbrochene Krug in the Third Reich," The German Quarterly Vol. 57, No. 4 (1984), 590-602.
- 10b
- Reprinted as "Kleist in the Third Reich: Ucicky's The Broken Jug," in Eric Rentschler, ed., German Film and Literature: Adaptations and Transformations (New York/London: Methuen, 1986), 87-102.
- 9
- "Industry, Text and Ideology in Expressionist Film", in S. Bronner and D. Kellner, eds., Passion and Rebellion. The Expressionist Heritage (South Hadley, MA/London: Bergin, 1983), 374-383.
- 8a
- "Film and Feminism in Germany Today" (together with Renny Harrigan), Special Section of Jump Cut 27 (Spring 1982), 41-53. Part II, "German Film Women", Jump Cut 29 (Spring 1984), 49-64.
- 8b
- Reprint of four interviews in Sandra Frieden et al., eds., Gender and German Cinema: Feminist Interventions (Providence and Oxford: Berg, 1993), I:111-114, 163-165, 205-207, II: 253-258.
- 7
- "Soll und Haben. Überlegungen zum Roman der DDR," in Manfred Durzak, ed., Deutsche Gegenwartsliteratur (Stuttgart: Reclam, 1981), 495-516.
- 6
- "Women Filmmakers in West Germany. A Catalog," Camera Obscura 6 (Fall 1980), 123-152. Part II (Fall 1983), 130-145.
- 5
- "Cine-Feminists in West Berlin," Quarterly Review of Film Studies, Special Issue on German Film (Spring 1980), 217-232.
- 4
- "Brecht Reception in the GDR," Theatre Journal, Special Issue on German Theatre (March 1980), 95-105.
- 3
- "Der Erzähler als Erzieher. Erkenntnis und Autorität in Der Aufenthalt," Interpretationen zum Roman in der DDR (see Edited Volumes), 152-167.
- 2
- "Vorbemerkung," Interpretationen zum Roman in der DDR (see Edited Volumes), 5-22.
- 1
- "Fünf Interviews mit Berliner Filmerinnen" (zusammen mit Jutta Phillips), Ästhetik und Kommunikation 37 (October 1979), 115-127.
Short articles and review essays:
- 28
- Encyclopedia entry "Gestus," forthcoming in Wolfgang Fritz Haug, ed., Historisch-kritisches Wörterbuch des Marxismus (Berlin and Hamburg: Argument Verlag, 2000), 10 ms. pages.
- 27
- "Remembering Bertolt Brecht: The End of the Commemorative Year." Communications from the International Brecht Society Vol. 27, Nr. 2 (December 1998): 36-40.
- 26a
- (with Jost Hermand) "Brecht Today: Introduction." Monatshefte Vol. 90, Nr. 3 (Fall 1998): 296-99.
- 26b
- Reprint in Dreigroschenheft 1 (1999): 5-7.
- 25
- Entries on "Cinema" (183-84), "Rainer Werner Fassbinder" (298-99), "Werner Herzog" (458), "Alexander Kluge" (559), "Volker Schlöndorff" (886), "Hans-Jürgen Syberberg" (982), "Margarethe von Trotta" (1015-16), in Dieter K. Buse and Juergen C. Doerr, eds., Modern Germany: An Encyclopedic of History, People, and Culture, 1871-1990 (New York and London: Garland Publishing, 1998).
- 24
- (co-author Shuhsi Kao) "Introduction" and revised notes, Bertolt Brecht, Collected Short Stories. Ed. and trans. by John Willett and Ralph Manheim (New York: Arcade Publishers, 1998), vii-xi, 227-240.
- 23a
- "Gert Neumann: Bio-bibliography," in Hermand and Silberman, eds., Contentious Memories: Looking Back at the GDR (New York: Peter Lang, 1998), 13-24.
- 23b
- Update (by Walter Schmitz) and reprint forthcoming in: Gert Neumann, Verhaftet: Dresdner Poetikvorlesung 1998 (Dresden: Thelem bei w.e.b. Universitätsverlag, 1999).
- 22
- "Graduate Seminar in German Literature: Historisierung der DDR-Literatur," GDR Bulletin 24 (Spring 1997): 43-45.
- 21
- "Gedenkjahr Brecht," Dreigroschenheft 4 (Oktober 1996): 11-12.
- 20
- "Introduction to Jochen Berg's Strangers in the Night," Contemporary Theatre Review Vol. 4, Nr. 2 (1995): 125-127.
- 19
- Note on "Brecht's Usefulness Today," in James K. Lyon and Hans-Peter Breuer, eds., Brecht Unbound (Newark: University of Delaware Press, 1995), 312.
- 18
- Review essay on "New Film History," Monatshefte, Vol. 97, No. 2 (Summer 1995): 236-244.
- 17
- "Developments at the Berliner Ensemble," Communications Vol. 24, Nr. 1 (May 1995): 13-14.
- 16
- Brechts Collaborators, Theater (Yale) Vol. 25, Nr. 2 (Winter 1994): 37-38.
- 15
- Eric Rohmer's La Marquise d'O (1975), Program Notes: A Century of French Cinema Film Festival, University of Wisconsin, Madison (Fall 1994)
- 14
- Entries "Leopold Jessner" and "Heiner Müller," in John Frick and Stephen Vallillo, eds., Theatrical Directors: A Biographical Dictionary (Westport, CT: Greenwood Press, 1994), 203-205 and 279-281.
- 13
- "Das ist die Verpapstung von Brecht" (protocol of a discussion with E. Brenner, I. Gellert, J. Berg, F. Dieckmann, F. Raddatz and M. Silberman), in Inge Gellert, ed., Nach Brecht (Berlin: Argon, 1992), 135-159.
- 12
- "Thoughts on Brecht after the Wall," Program Notes: International Symposium "Brecht Unbound," University of Delaware (1992)
- 11
- "Hermann Kant: Die Aula," entry in Imma Klemm, ed., Deutscher Romanführer (Stuttgart: Kröner Verlag, 1991), 273-274.
- 10
- "Hamlet," Program Notes: Pfalztheater Kaiserslautern (1989)
- 9
- "Cinema and the French Revolution," Program notes for national film retrospective (1989).
- 8
- "Heiner Müller and The Slaughter: An Introduction," Theater (Yale) Vol. 17, No. 4 (Spring 1986): 19-21.
- 7
- Review essay of Robert C. Holub, Reception Theory: A Critical Introduction, New German Critique 33 (Fall 1984): 249-254.
- 6
- Review essay on "Holocaust studies from Germany," The German Quarterly Vol. 57, No. 4 (1984): 693-697.
- 5
- "Introduction to the Film Germany in Autumn," Discourse 6 (Fall 1983): 48-52.
- 4
- Review essay of Julian Petley, Capital and Culture: German Cinema 1933-1945, Jump Cut 23 (Fall 1980): 34-35.
- 3
- Review essay on "Women and the Law in West Germany," New German Critique 14 (Spring 1978): 154-158.
- 2
- Review essay of C. McClelland and S. Scher, Postwar German Culture, New German Critique 15 (Fall 1978): 188-192.
- 1
- Review essay of Ingeborg Gerlach, Bitterfeld, New German Critique 8 (Spring 1976): 187-191.
Literary translations:
- 13
- Gert Neumann, "Blackout," in Hermand and Silberman, eds., Contentious Memories: Looking Back at the GDR (New York: Peter Lang, 1998), 5-11.
- 12
- Jochen Berg, Strangers in the Night (A Play), Contemporary Theatre Review Vol. 4, Nr. 2 (1995): 129-149.
- 11
- Heiner Müller, "The Geste of Citation. Three Points (on Philoctotes)," in Heiner Müller, Germania, ed. Sylvere Lotringer (New York: Foreign Agents Series, 1990), 177.
- 10
- Heiner Müller: "Isolated Texts Waiting for History," in Heiner Müller, Germania (New York: Foreign Agents Series, 1990), 239-240.
- 9
- Heiner Müller, "The Block Gnaws at the Wall," in Heiner Müller, Germania (New York: Foreign Agents Series, 1990), 119-123.
- 8a
- Heiner Müller, "To Use Brecht Without Criticizing Him Is to Betray Him," Theater (Yale) Vol. 17, No. 2 (Spring 1986), 31-33.
- 8b
- Reprinted as "Brecht vs. Brecht," in Heiner Müller, Germania (New York: Foreign Agents Series, 1990), 124-133.
- 7
- Heiner Müller, "A Letter," Theater (Yale) Vol. 17, No. 2 (Spring 1986), 29-30.
- 6
- Heiner Müller, "The Slaughter. Scenes from Germany" (with Helen Fehervary and Guntram Weber), Theater (Yale) Vol. 17, No. 2 (Spring 1986), 23-29.
- 5
- Herbert Achternbusch, "America," Semiotexte IV/2 (1982), 6-15.
- 4a
- Heiner Müller, "Obituary", Semiotexte IV/2 (1982), 66-70.
- 4b
- Reprinted in Heiner Müller, Germania (New York: Foreign Agents Series, 1990), 180-183.
- 3
- Heiner Müller, "Cement" (with Helen Fehervary and Sue-Ellen Case), New German Critique 16 (Winter 1979), Supplement. Performed at the Berkeley Stage (1979) and at the Sussex Underground Theatre (England, 1980).
- 2
- Heiner Müller, "Mauser" (with Helen Fehervary), New German Critique 8 (Spring 1976), 122-149. Performed at the Austin Theater Group (1975) and at the West Six Theater (London, 1985).
- 1
- Heiner Müller, "The Horation" (with Helen Fehervary), Minnesota Review NS 6 (Spring 1976), 40-50.
Other translations:
- 8
- Traute Schölling, "On With the Show? The Transition to Post-Socialist Theatre in Eastern Germany," Theatre Journal, Vol. 45, No. 1 (March 1993), 21-33.
- 7
- Gertrud Koch/Heide Schlüpmann, "The Female Spectator. Contexts and Directions," Camera Obscura 20-21 (September 1990), 209-212; 279-282.
- 6
- Petra Haffter, "The Association of Women Film Workers," Jump Cut (March 1985), 66.
- 5
- Peter Uwe Hohendahl, "Critical Theory, Public Sphere and Culture: Jürgen Habermas and His Critics," New German Critique 16 (Winter 1979), 89-119. Reprinted in Hohendahl, Institutions of Criticism (Ithaca: Cornell University Press, 1982), 242-280.
- 4
- "Invisible Adversaries (Valie Export)," Camera Obscura 3-4 (Summer 1979), 219-224.
- 3
- Peter Uwe Hohendahl, "Introduction to Reception Aesthetics," New German Critique 10 (Winter 1977), 29-63.
- 2
- Wolf-Dieter Narr, "Threats to Constitutional Freedoms in West Germany," New German Critique 8 (Spring 1976), 20-41 (co-translator: Dave Harris).
- 1
- Rainer Nägele, "Aspects of the Reception of Heinrich Böll," New German Critique 7 (Winter 1976), 45-68.
Book reviews:
- 31
- Fredric Jameson, Brecht and Method, in The Brecht Yearbook, Vol. 24 (1999), 383-385.
- 30
- David Bathrick, The Powers of Speech: Politics of Culture in the GDR, in German Culture News Vol. 4, No. 3 (May 1996), 2 and 17.
- 29
- David Pike, The Politics of Culture in Soviet-Occupied Germany, 1945-1949, in The German Quarterly, Vol 67, No. 3 (Summer 1994), 437-439.
- 28
- Reinhold Grimm, Echo and Disguise. Studies in German and Comparative Literature, in Literary Research / Recherche littéraire 20 (Summer 1993), 38-39.
- 27
- Stephan Lowry, Pathos und Politik. Ideologie in Spielfilmen des Nationalsozialismus; and Robert C. Reimer and Carol J. Reimer, Nazi-Retro Film, in Monatshefte Vol. 85, No. 2 (Summer 1993), 246-249.
- 26
- Manfred Durzak, Literatur auf dem Bildschirm: Gespräche und Analysen, in Monatshefte Vol. 84, No. 2 (Summer 1992), 245-247.
- 25
- Michael Mitchell, Peter Hacks. Drama for a Socialist Society, in Monatshefte Vol. 84, No. 1 (Spring 1992), 121-122.
- 24
- Hanno Möbius and Guntram Vogt, Drehort Stadt. Das Thema "Großstadt" im deutschen Film; and Rainer Rother, Die Gegenwart der Geschichte. Ein Versuch über Film und zeitgenössische Literatur, in Monatshefte Vol. 84, No. 1 (Spring 1992), 132-135.
- 23
- Deutsche Spielfilme von den Anfängen bis 1933. Ein Filmführer, in The German Quarterly, Vol. 64, No. 1 (Winter 1991), 61-62.
- 22
- Michael John T. Gilbert, Bertolt Brecht's Striving for Reason, Even in Music. A Critical Assessment, in Literary Research / Recherche littéraire 14-15 (Summer-Winter 1990), 27-28.
- 21
- Keith Bullivant, ed.: After the `Death' of Literature. West German Writing of the 1970s, in German Studies Review Vol. VIII, No. 1 (February 1990), 194-196.
- 20
- John Willett: The Theatre of the Weimar Republic, in Theatre Journal Vol. 41, No. 4 (December 1989), 569-570.
- 19
- Studies in GDR Culture and Society, Volume 8, in The German Quarterly Vol. 62, No. 4 (Fall 1989), 554-555.
- 18
- Peter Zimmermann, Industrieliteratur der DDR, in Monatshefte Vol 79, No. 3 (Fall 1987), 412-413.
- 17
- Dennis Tate, The East German Novel, in Monatshefte Vol. 79, No. 3 (Fall 1987), 411-412.
- 16
- Dana Polan, The Political Language of the Avant-garde, in Theatre Journal Vol. 39, No. 3 (October 1987), 401-402.
- 15
- Ernst Opgenoorth, Volksdemokratie im Kino, in Slavic Review Vol. 46, No. 1 (Spring 1987), 176.
- 14
- Gerald Fleming, Hitler and the Final Solution, in The German Quarterly Vol. 59, No. 2 (1986), 341-343.
- 13
- Friedrich Knilli, et al., Jud Süss, in The German Quarterly Vol. 58, No. 3 (1985), 490-491.
- 12
- Donna Hoffmeister, The Theater of Confinement, in The German Quarterly Vol. 58, No. 1 (1985), 143-144.
- 11
- The Myths of Information: Technology and Postindustrial Culture, ed. Kathleen Woodward; and The Technological Imagination, eds. Andreas Huyssen, et al., in Monatshefte Vol. 76, No. 3 (1984), 344-345.
- 10
- Erhard Schütz, Alfred Andersch, and Wolfgang Pross, Arno Schmidt, in Monatshefte Vol. 76, No. 2 (1984), 237-239.
- 9
- Martin H. Ludwig, Arbeiterliteratur in Deutschland, in Revue Belge de Philologie et d'Histoire Vol. 61, No. 3 (1983), 703-704.
- 8
- Karl Marx in seinen Briefen, in The German Quarterly Vol. 55, No. 2 (1982), 286-287.
- 7
- Roman im Gespräch: Beiträge aus sechs sozialistischen Ländern, in GDR-Bulletin Vol. 7, No. 3 (Fall 1980), 13-14.
- 6
- Stereotyp und Vorurteil in der Literatur, Lili (Zeitschrift für Literaturwissenschaft und Linguistik), Beiheft 9, in Monatshefte Vol 72, No. 3 (1980), 354.
- 5
- Arbeitskollektiv, Geschichte der deutschen Literatur von 1789-1830, in GDR-Bulletin Vol. 6, No. 2 (Spring 1980), 11.
- 4
- Ingrid Pepperle, Junghegelianische Geschichtsphilosophie und Kunsttheorie, in GDR-Bulletin Vol. 5, No. 2 (Spring 1979), 9.
- 3
- Gerhard Rademacher, Technik und industrielle Arbeitswelt in der deutschen Lyrik, in Monatshefte Vol 71, No. 1 (1979), 78-79.
- 2
- I. Arnold-Dielewicz/H.L. Arnold: Arbeiterliteratur in der BRD, in Monatshefte Vol. 69, No. 4 (1977), 424-425.
- 1
- Einführung in Theorie, Funktion und Geschichte der DDR-Literatur, in Monatshefte Vol 68, No. 4 (1976), 460-462.
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